FreqGen’s low-key audioscapes venture into uncharted territory with “First Contact.” The track’s patient songwriting and understated sound design create a mesmerizing piece whose melodies gain strength through their reiterations, building in intensity across the running time for a cosmic-themed creation that is quietly, effectively epic. “First Contact” is available now on all platforms from independent record label FiXT.
Thrashy guitars and blistering drum licks collide with melodic vocal hooks on Celldweller’s latest scorcher, “Baptized In Fire.” The song builds on the impactful, high-powered songwriting approach of “Into the Void” for one of the most aggressive pieces to land in Celldweller’s discography to date.
Available at:
https://fanlink.to/baptizedinfire
“Being in mandatory lockdown has made many of us painfully aware how things that we take for granted can change suddenly and drastically. Sometimes life’s most painful trials refine us in ways like nothing else can. This restlessness and uncertainty has me naturally inclined to go heavier and darker, so here’s a piece of that purification, regeneration, ‘Baptized in Fire’.”
– Klayton
Following previous singles “My Disintegration”, “A Matter of Time,” “Electric Eye,” and “Into The Void” “Baptized In Fire” becomes the 5th single to materialize ahead of the upcoming full-length album Satellites, slated for a 2020 release. Layering on top of Celldweller’s legacy as a multi-faceted artist/producer with a multi-genre approach, Satellites leans to the heavier side of the artist’s sound, appealing to fans of Metal and Prog Rock while incorporating electronic influences from Drum & Bass and Psy-Trance.
| Celldweller Merch |
Scandroid’s creative evolution continues with the post-punk spirit of “Nighttime.” The track’s reverb-heavy guitar and bass tandem establish the song’s personality early, joining with a dynamic rock rhythm and Scandroid’s distinctive synth tones for a diverse and expertly blended style. The result embraces an array of nostalgic influences while forging new ground for retro music.
“Nighttime” is out now on all major platforms from independent synthwave label FiXT Neon.
Circle of Dust’s anniversary mixes blaze onward with “Demoralize.” Klayton has taken the iconic original and transformed its audio quality into a fully modern production with a well-sculpted sonic space, breathing new life and dimension into an industrial classic. Along with the recently released new version of “Onenemy,” this 25th Anniversary Mix of “Demoralize” is a gift to long-time fans and the perfect introduction to newcomers.
The song is out now on all platforms from independent electronic rock label FiXT.
FreqGen invites you to disengage from your earthly constraints and slip into a suspended audio state of cosmic proportions on the brand new single, “One Last Trip Around The Sun.” This beautifully crafted piece embraces a rhythmic design structure and minimal melodic sensibilities for a listening experience that is simultaneously modest and magnificent. “One Last Trip Around The Sun” is available now on all major platforms from independent record label FiXT.
Circle of Dust’s 25th Anniversary celebration continues with a brand new remix of “Onenemy” from Soul Extract. This re-imagining of a classic comes out of the gate with a modern EDM touch before turning on its head and diving into a thunderous rhythm section with bass blasts that feel like they could punch through walls at high volume.
“Onenemy” is a song that pops up in my head from time to time since I was introduced to Circle of Dust back in 1998. It is one of my favorites and was an absolute pleasure to remix.
– Soul Extract
This powerful remix is out now on all major platforms from independent electronic rock label FiXT.
Formal One takes a turn into brutal territory on the brand new remix of Celldweller’s “Into the Void.” This no-nonsense track builds on the intensity of the original with thundering rhythms and ultra-distorted guitar riffs for an audio firestorm, unlike anything Formal One has done before.
“It’s always a pleasure to bring my own twist to releases on FiXT, epecially Celldweller’s tracks. My remix of ‘Into The Void’ is one of my favorites so far and I hope it won’t be the last one.”
– Formal One
Following previous singles “My Disintegration”, “A Matter of Time” and “Electric Eye”, “Into The Void” becomes the 4th single to materialize ahead of the upcoming full-length album Satellites, slated for a 2020 release. Layering on top of Celldweller’s legacy as a multi-faceted artist/producer with a multi-genre approach, Satellites leans to the heavier side of the artist’s sound, appealing to fans of Metal and Prog Rock while incorporating electronic influences from Drum & Bass and Psy-Trance.
Operating his own independent record label, FiXT, Klayton’s project Celldweller reaches millions of listeners each month across Spotify, YouTube, Pandora, and Apple Music, amongst others, delivering a unique listener experience fans from all around the world have come to resonate with.
Scandroid’s gritty post-punk offering “Astor Place” gets a future rock remix courtesy of The Anix. The track’s throwback bassline and synth melodies are electrified in this new version as The Anix builds a composition effortlessly from its low-key verse section to a dramatic, sweeping chorus. The result brings the best of Scandroid and The Anix together for a piece that embraces past and future.
“Astor Place struck me as a great track for a remix because I could hear several directions it could go in. I took inspiration for my remix, from one of my favorite artists, The Faint, as well as Daft Punk and Joy Division. I wanted the remix to keep the energy of the original but realize a garage synth edge to it with a danceable groove, with a minimized production so it sounds like 3 kids playing the song live in their basement. I played most of the instruments live rather than programmed to capture some elements of human error to give it more of a live feel.”
– The Anix
The Anix’s remix of “Astor Place” is out now from independent synthwave label FiXT Neon.
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